Tell Your Story.
VIDEO PRODUCTION AND EDITING SERVICES
Production
We want to help you tell your story. We want to take your concept and put it to the camera. Hire us as your production house and we can build you a crew to run the entire production pipeline.
Editorial + Post Production
We want to help you finish telling your story. We want to take your footage and make it captivating. Hire us as your post-production house and we can run your post-production pipeline.
You need video services.
We need money for food.
We’ll make an excellent team.
You come with a need and an idea. Our job is to take that, help you expand upon it, and make it real. We’ll hire the specialists, acquire the gear, and find the locations and talent necessary to bring your story to life. I’ll be managing and guiding every step of the way.
We want to help you tell your story.
You’re the client. You’re the star. You need the video.
We’re here to make it happen for you.
Who We Love to Work With:
Filmmakers
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Musicians
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Charities
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Artists
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Youtubers
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Creators
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Consumer Products
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Filmmakers • Musicians • Charities • Artists • Youtubers • Creators • Consumer Products •
There’s a timeline of events that every video production goes through. It’ll be our job to take your video through the whole process from ideation to completion- with your feedback throughout.
So How’s It Work?
On-Boarding
We meet. Get to know each other. Negotiate the deal. Get on the same page. Come to an agreement. You pay a deposit. We’re in this now.
We often have a writing retreat where key players of the production and client side will meet. We brainstorm concepts for your video. Decide on one. Write it. Storyboard it. Visualize it. Till we’re decided.
Development
We build a crew. Cast talent. Reserve gear. Make a shooting schedule and shot list. Get insurance. Lots and lots and lots of complicated, sometimes boring, but necessary preparation. We prepare to record.
Pre-Production
The big day(s). We point the camera at the subject and we hit record. We could be juggling large crews, running expensive equipment, managing foreign matters, problem solving complicated effects, or more!
Production
We take all our assets from set and we compile them into a video. We doll it up with color, sound, VFX, illustration, graphics, or anything else we want. We’re making a finished video.
Post-Production
The video is completed. It’s passed off to you in its final form. We invoice, receive final payment, shed some good bye tears, and then get over it because we’re making another one!
Delivery
Selected Works from Our Directing and Producing Portfolio
We want to help finish what you started.
Roughly 10 Credits as Other Editorial
Difficult to be exact. There’s so many that it’s extremely high effort to track them all down.
Over 20 Credits as Lead Editor
Over 30 Credits as Assistant Editor
Jonah’s Editorial Stats (as of July 2022)
From Jonah:
Editing is the first thing that I tried when I first started actively pursuing film in high school. Editing has always made sense to me. There are few greater feelings than that which you get after days or weeks slogging through thousands of clips and you finally find the story.
Editing nearly full time for 8 straight years plus all the experimentation in high school. I have nearly 15,000 hours of editing work.
Selected Works from Our Editing Portfolio
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Homework: Editor on Season 01
Homework is a home renovation show on Discovery+ hosted by Candis and Andy Meredith.
Candis was an absolute delight. She is strong and passionate and treated me very well. It was a treat to be there, but the deadlines were exhausting.
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Artful: Editor on Season 02
Artful is a BYUtv show produced by Monument Pictures.
A little religious for my current tastes, but I loved highlighting such talented artists.
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Cryo: Additional Editor
A sci fi who dunnit as my first film. Oh my gosh I loved editing with director Barret Burgin.
I was expected to be listed as Editor when I made my contribution but film ran into some reshoot needs and another editor continued when I became too busy.
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Making Good: Editor on Season 03
Kirby Heyborne is delightful and the soul of this show is heartwarming. It pleases me greatly to have worked on such a sweet show.
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Tuttle Twins: Editor on Season 01
The creators know how to lean into cartoon antics the right way and those gags are the highlight of the show. However, overtime I felt my ideals didn’t align with the message of the show and I stepped away.
But I’m so grateful to have begun to learn animation and and pre vis.
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Stop and Go: Assistant Editor
When Mallory Everton and Whitney Call want you, you answer. I love these amazing women and their comedy. This film was a blast. What a silly, awesome movie to work on.
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Freelancers: Editor on Season 2
Silly hijinks and goofy goobers are right up my alley. This show is rambunctious and just the dumb entertainment I was hoping to get into when I first started as a freelancer myself.
I feel so lucky to have edited half of Season 2.
My Work By the Numbers
(director, producer, or editorial credit)
2
Features
Shorts
2
Music Videos
4
TV Shows
5
4
Branded Films
20+
Ads
Editing Reel 2020
(2022 reel pending…)
“Filmmaking is my purpose.”
From Jonah:
I wanted to direct film since I was 9 years old- but I was also too scared to admit it. I was lucky enough to ACCIDENTALLY get my first professional gig co-directing with Harmon Brothers legend Daniel Harmon at age 22.
Since that first gig in 2017 I have slowly learned how to tell a compelling story and keep an audience engaged. I want to use that knowledge to help direct and produce your film for you.
I want to use my skills to help you tell your story.
The Content We’ve Worked On Has:
Accrued hundreds of millions of views
Shown on national streaming services, like Discovery+ and Angel Studios
Won local and national awards, including an Emmy and several Webby’s
Premiered at SXSW and dozens of other festivals
Driven millions of dollars in sales revenue
You’re not alone in this.
And neither am I.
Film is the great collaborative art form. My productions are no exception.
It’s my job to direct, produce, and/or supervise the post-production process for your video. It’s not my job to do it alone. A MAJOR component of my process is involving other specialists.
I believe in hiring whatever sized crew the concept calls for. Not all productions need a 25 person team- but some do.
I believe in using experts and specialists to do the job better than I can.
The only way for us to make world class content is to involve as many world-class people as we can.
I build teams. I bring people with me.
“Jonah is an extremely hard worker, with a willing attitude, who is very multifaceted.
“He excels in editing, with a well-rounded knowledge of both Adobe Premier and Final Cut. Things like rhythm and comedic timing come naturally to him…
“He is very creatively minded and is a natural problem solver…
“Jonah… understands the entire creative process from writing to preproduction all the way through post production and finishing, and can participate and excel in most any aspect.
“He is a capable producer, able to manage tight budgets and difficult situations.
“I can't recommend him enough.”
Tiffani Kirkham
Creative Director at the Harmon Brothers
Who I’ve Worked With
“I don’t trust anyone else.”
Micah Dean
Musician
Brands I’ve Helped Promote
“It’s not every day that I, as the consumer, get to feel special.
Today is one of those days.”
Mark (name and likeness anonymous)
Executive in Asset Protection Solutions
Where am I working?
When I direct and produce, I travel for both domestic and foreign shoots. When I edit, I ship hard drives and share files digitally. But where are those shoots run from? And where are the local films shot? And where am I actually editing?
I split my time between Dallas and Salt Lake City.
Denver will be added to the rotation soon.
MY CAREER HISTORY + EXPERIENCE
TIMELINE
I was lucky enough to land an internship with the Harmon Brothers just as they were entering their growth phase. I watched as the company exploded in success. I got to learn the ropes from the best in the comedic advertising industry.
2015
HB Intern
I joined the team and immediately became the company go-to for all the odds and ends. I did a little bit of EVERYTHING. I gained a huge filmmaking foundation. I also quickly proved to have an eye for timing and edited and assisted on dozens of campaigns for amazing HB clients including Zerorez, Chatbooks, FiberFix, Squatty Potty, Camp Chef, Click Funnels, Lume, and many more.
2016-2017
HB Editor + Jack-of-All-Trades
I left HB and spent a year on my own building my own network from scratch. I learned how to create value and work with integrity. I had a ton of fun opportunities- assistant directing VR experiences, producing music videos, and editing brand films.
2018
Austin Freelancer
I returned to Harmon Brothers as Lead Editor, taking over my mentor’s role. I supervised and/or personally edited over a dozen HB “Hero” campaigns during this time. I also produced and directed several commercials.
2019
HB Lead Editor + Producer
I left HB just a month before COVID hit the United States, and while that made it a wild ride, it was still the right time.
Over the past 3 years I have edited documentary work for local and national network television, episodic reality TV for streaming services, online and film festival sitcoms, indie feature films, and a little bit of everything in between.
In reality, this train is just finally gaining speed.
2020-Present
Utah + Dallas Freelancer
I’m excited to see what’s next!
I spent 5 years with creative ad agency Harmon Brothers
Harmon Brothers Stats (as of July 2022)
Harmon Brothers is the award-winning creative ad agency behind viral ads like Chatbooks, Squatty Potty, Lume, Purple, Fiber Fix, and dozens more. I worked on many of these campaigns, both learning and contributing as I went.
Cumulative Views
1.5 Billion
Sales
$700 Million
In my early days at HB I learned and practiced every aspect of marketing and video production. Camera, Lighting and Gaffing, Sound, Art and Production Design, Wardrobe, Make Up, Special Effects, Editing, Coloring, Sound Engineering, Foley, Motion Graphics, Visual Effects. I soaked it in like a sponge.
When I returned to Harmon Brothers years later, I refined and attempted to master my craft.
I learned from some of the most effective marketers in the industry. I worked on some of the biggest sets in Utah.
Selected Works from my Harmon Brothers Era
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Truvani: Editor
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ClickFunnels "Ecommerce": Director + Lead Editor
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Covenant Eyes: Lead Editor + Script Supervisor
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Kizik: Director
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Avast: Lead Editor
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BedJet: Lead Editor + Script Supervisor
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Keto Chow: Lead Editor + Script Supervisor
